Photo essay: Ireland
 

Photo essay of Ireland


Photography © John Baker, Travel Images

I have to confess that I have a passion for all things Celtic. My first 25 years were spent in England, but a move westwards to Celtic Wales stirred something within me. Once immersed in Welsh culture and language I felt as if I had become one with the other Celts and Gaels. I also spent a lot of time in Scotland whenever possible.

My connections to Ireland didn't start until after moving to Idaho in the mid-eighties when I scoured those emerald pastures for the best photo spots. It helped to have friends who still provide photo ops on their farms for Travel Images trips, and after 16 years of going and coming it is a place that fits like a favourite glove.

To know Ireland you really need to get to know the heart of the people, and even though I was born in England, took frequent holidays in Scotland and lived in Wales, I have found the Irish collectively to be the warmest folk of all on those rolling and photogenic British isles.

The following photo essay is a mirror of how I see this land of fables, Irish characters and dark beers. Loving Ireland is not unlike a marriage . . . I shall love her just as much when the Atlantic squalls batter my face, as when the Chaffinch sings out his song from the mile upon mile of hedgerow and drystone wall.

It's a commitment never to be broken, and for a few moments I invite you to share a few valuable pieces of my Ireland.

John Baker

This photo essay represents the typical range of subjects on a Travel Images photo tour, and are selected in the knowledge that every client is able to obtain similar images. That is the goal for each of my clients.


Ireland by Bill Richardson  |  Ireland by Michael Carlucci

Ireland by Kara Stallings . . . PhotoDex plug-in required

This is a 'no click' zone! . . . just scroll on down . . .

Ireland isn't particularly noted for it's thatches in the manner that England is, but Adare in County
Limerick does boast a classic collection in the heart of the village. Thatched roofs generally last 80 years.  The Irish love their coloured window frames, and the red flowers are Geraniums.
To the west of Killarney, County Kerry,
as one sets off on the famed 'Ring of Kerry',
the first stop of interest is the old multi-spanned Beaufort Bridge over the River Laune. Oxeye Daisies add some depth and foreground interest which is best captured with wide-angle and an aperture of around f.16.
   
County Kerry, Ireland: Strict copyright John Baker Phtographer LLC

A somewhat typical Irish scene regularly photographed in County Kerry.

   
Early light on the Sky road is the place to be when we stay near Clifden in mountainous Connemara.  This unpretentious thatched home has appeared on several postcards and one can see why. The dark mound to the left is Peat which is cut from boggy moorland, and burnt for warmth.
Along Northern Ireland's Antrim coastline one will find the moody Dunluce castle perched on a cliff-edge under a moody sky, and a graduated gray filter will add to the drama under all but blue skies. The castle' s torrid history came to a close one stormy night in 1639 when the kitchen and staff fell into the raging ocean during a banquet.
A County Kerry still-life number #. These shots can be seen just about anywhere, but you have to 'see' them first. As a photo-trip leader it is my job to find these shots and make it happen. You'll never hear me say "there is nowhere to stop"!
This flower grows along rugged coasts over most of the British Isles, and is my favourite. The Brits call it Sea Thrift, but it is also known as Sea Pink and California Thrift. The technique is a favourite of mine too, i.e. selective focus. It almost doesn't matter if your subject is moving in the wind as a wide aperture will give you a fast shutter speed. Simple and very effective I think you'll agree.
While traversing the narrow and spectacular Torr Head road, again on the Antrim coast, we happened upon farmer Paul McCormick inoculating lambs.  Such 'happenstance' is part of any trip, and the group took a series of pictures to record events and then Paul also afforded us some great portraits of himself.
   

Malahide Harbour, Ireland: Strict copyright John T. Baker Photographer LLC

Dawn on the first full day of all my Irish trips finds my groups at Malahide Harbour
north of Dublin. One never knows what the light might do, but in the British Isles one can count
on clouds to make things interesting.

   
My group of 4 had taken the healthy walk out
to the Carrick-A-Rede rope bridge under sunny skies, but then the clouds gathered as we returned.
A short, sharp shower was followed by this rainbow which we shot in earnest. The body of water is Rathlin Sound off the Antrim coast.
The Giant's Causeway is another Antrim coast attraction with it's 5-sided rock pillars tightly knit together in a mosaic of granite. There is a similar strata to the north at Fingal's Cave in the Scottish
Hebridean islands, and legend has it that a giant laid down the rock on the sea floor as a method of commuting between the two places. My method for close-ups on the ground that 'face up' is to use a tripod and 200mm lens to frame the subject.
Hidden among the deciduous forests of western County Galway is Kylemore Abbey which is Tudor-Gothic in style and dating to a 'young' 130 years old. The building has been occupied by Benedictine Nuns since 1920 who operate an international girls school there. Wide-angle, about f11-f16 and then wait for the light to hit just where you'd like it to hit.
Janet Wright of Vashon Island, Washington, points her camera at some sheep's wool during the 2001 Travel Images photo trip to Ireland.  Such stops on narrow, winding but quiet lanes are typical on all my trips.
Out on County Clare's rock-scape known as the Burren one can find the Poulnabrone Dolmen.  It is a portal tomb sitting upon a limestone plateau and
dates to around 2,000 years BC.  It is now exposed after the earth in and around the tomb was washed away over a period of many centuries. I love nothing more than getting down low and shooting such subjects against a cloudy sky with a grad gray attached.
Northern Ireland's Mourne Mountains in County Down were immortalized in song, and in this image the dark peak of Slieve Muck dominates at 2,700'.
The mountain slopes are a patchwork of dry-stone walls, whitewashed farmhouses and yellow Gorse. There was no foreground included here so it's a simple matter to use a fast shutter speed and an aperture of around f5.6.
1 of 2:  Somewhat in the middle of nowhere in County Sligo one can find post boxes such as this built into barn walls.  Rural life in the British Isles has resisted many of the changes that have afflicted many other cultures in recent decades.
2 of 2:  Another variation on the postal theme with this one being spotted in a remote village in County Donegal.
Get a 'square on' as you can with these type of shots.
A Celtic design on a cape worn by a young Irish dancer. The 'C' in Celtic is 'hard' and pronounced Keltic.
The Connemara town of Clifden on the west coast, and well worth the small hike up a nearby hill at the end of the day.
The juxtaposition of a Celtic standing stone, and village church in Glencolumbkille, County Donegal. The name derives from St. Columba whose influence stretched from Ireland to the Isle of Iona in the Scottish Hebrides
The town of Galway, today with it's chronic traffic problems, has long been a center of Irish grass-roots culture but in recent years a new Galway icon has developed.  It is the myriad of Mute Swans that linger in the harbour year-round and provide many photo opportunities for photographers!
Out on the Dingle peninsula on Ireland's rugged west coast one is likely to find folk vacationing in these 'Gypsy caravans'.  They are a throwback to the days of old, and finding them in County Kerry reflects the slower pace of a region noted for a simpler way of life. This was shot with a 200mm lens to 'compress' the perspective.
The setting sun out on the Atlantic ocean illuminates wildflowers, and makes a stark silhouette of O'Brien's Tower that sits atop the Cliffs of Moher in County Clare.  The tower was constructed in 1835 as a viewing point for Victorian tourists.  Can you spot the 'face' on the steep cliff? When one has foreground detail so close, it is prudent to expose at an aperture of around f16-f22 for sharpness front to back

 

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