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Photography
© John Baker,
Travel Images
I
have to confess that I have a passion for all things Celtic. My first 25
years were spent in England, but a move westwards to Celtic Wales stirred
something within me. Once immersed in Welsh culture and language I felt as
if I had become one with the other Celts and Gaels. I also spent a lot of
time in Scotland whenever possible.
My
connections to Ireland didn't start until after moving to Idaho in the
mid-eighties when I scoured those emerald pastures for the best photo spots.
It helped to have friends who still provide photo ops on their farms for
Travel Images trips, and after 16 years of going and coming it is a place
that fits like a favourite glove.
To
know Ireland you really need to get to know the heart of the people, and
even though I was born in England, took frequent holidays in Scotland and
lived in Wales, I have found the Irish collectively to be the warmest folk
of all on those rolling and photogenic British isles.
The
following photo gallery is a mirror of how I see this land of fables, Irish
characters and dark beers. Loving Ireland is not unlike a marriage . . . I
shall love her just as much when the Atlantic squalls batter my face, as
when the Chaffinch sings out his song from the mile upon mile of hedgerow
and drystone wall.
It's
a commitment never to be broken, and for a few moments I invite you to share
a few valuable pieces of my Ireland.
John
Baker
The following images represent the typical range of subjects for this particular Travel Images photo tour or workshop. They were selected in the knowledge that every client is able to obtain similar images, but should a particular technique be new to you I will share everything I know so that you reach every one of your photographic goals.
Please scroll down for images taken on Travel Images trips by John Baker. In most cases, links to client images from this destination are at the bottom of the page
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Ireland isn't
particularly noted for it's thatches in the manner that England
is, but Adare in County Limerick does boast a classic collection in the heart of the
village.
Thatched roofs generally last 80 years. The Irish love their
coloured window frames, and the red flowers are Geraniums.
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| The
simplicity of the British Bluebell enhanced by the yellow background
of out-of-focus Gorse. |
England's pub names lean towards names such as 'The King's Head' and
the 'White Horse',
but in Ireland they're often the owner's name. 'Matt Molloy's' can
be found in
Westport, County Mayo. |
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Fulmars on the cliffs in County
Sligo. Catching birds in flight is a tricky business both in terms
of exposure and sharpness. The background is changing all the time,
so I suggest manual exposure for the bird in flight. However, using
manual focus for the moving bird is almost impossible to catch just
right, so the use of automatic focus in 'tracking' or 'servo'
mode is recommended. |
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The
first of a 'bicycle pair', and one really does get the idea that the
locals leave out old bicycles just for us photographers sometimes! This one was shot at Glencolumbkille in County Donegal. |
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 A County
Kerry still-life. These shots can be found just about anywhere, but
you have to 'see' them first. As a photo-trip leader it is my job
to find these shots and make it happen. You'll never hear me say
"there is nowhere to stop"! |
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1 of 2: This unpretentious home had a thatched
roof until recent times, but is still photogenic. Two of the
'odd-shaped' boats in the
background sitting in Fahey Harbour are known as a 'Currach' boat. |
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Then back to Fahey Harbour at dawn
where the Currachs and other boats are part of the stillness. |
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| Serendipity in Mullaghmore, County Sligo. |
A
cluster of signs that suggest that you're 'not in Kansas anymore!' |
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The coastal town of
Ballycastle in County Antrim receives some dramatic light. |
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This flower grows along rugged coasts over most of the
British Isles, and is a personal favourite. The Brits call it Sea Thrift, but it is also
known as Sea Pink and California Thrift. The technique is a
favourite of mine too, i.e. selective focus. It almost doesn't
matter if your subject is moving in the wind as a wide aperture
will give you a fast shutter speed. |
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Shock, horror
it actually rains in Ireland . . . so one has to turn up the
'creativity level' to get round it. It's then I encourage my
groups to look for color through the wet windows. I find that manually focusing somewhere between the window
and the subject works best. |
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While traversing the
narrow and spectacular Torr Head road, again on the Antrim coast,
we happened upon farmer Paul McCormick inoculating lambs.
Such 'happenstance' is part of any trip, and the group took a series of pictures to record events and then Paul also
afforded us some great portraits of himself.
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 Dawn on the first full day of all my
Irish trips finds
my groups at Malahide Harbour
north of Dublin.
One never knows what the light might do, but in the British Isles one can count
on clouds to make things interesting. Below, a similar effect in nearby
Skerries harbour. |
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 Back to Malahide harbour, but a different trip, for
this Gray Heron. |
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My
group had taken the healthy walk out to the Carrick-A-Rede rope bridge under sunny skies, but then the
clouds gathered as we returned. A short, sharp shower was followed by this rainbow which we shot
in earnest. The body of water is Rathlin Sound off the Antrim
coast.
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It can be really
wild at Slea head on the Dingle peninsula, when even the gaps
between showers yield wonderful light. On this occasion though the
cloud fog added a little something. |
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1
of 3: The first of three Giant's Causeway
shots on the coast of County Antrim. It's a special place, but sometimes when one shows up at dawn the
light is rather flat . . . |
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. . . . but at other times, once the
sun has cleared the rocky ledge to the northeast, one can get some
very nice side lighting. |
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The Giant's Causeway
is a collection of 5-sided rock pillars
tightly knit together in a mosaic of granite. There is a similar
strata straight to the north at Fingal's Cave in the Scottish
Hebridean islands, and legend has it that a giant, one
Fionn mac Cumhaill
[Fingal McCool], laid down the
rock on the sea floor as a method of 'commuting' between Ireland
and Scotland. Photographically speaking, my method for close-ups on the ground that 'face up' is to
use a tripod and 200mm lens to frame the subject tightly. |
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Nothing unusual
about this sight in the British Isles as a farmer in County Down
wanders about checking on the well-being of his flock. Consequently
when my groups stop to take pictures the sheep don't stampede away
from us as they do in some other countries. |
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Hidden
among the deciduous forests of western County Galway is Kylemore
Abbey which is Tudor-Gothic in style and dating to a 'young' 130 years old. The building has been occupied by Benedictine Nuns
since 1920 who operate an international girls school there.
Wide-angle, about f11-f16 and then wait for the light to hit just
where you'd like it to hit. |
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Irish wool
at a mill in County Donegal. |
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Another dawn shot at Fahey Harbour in
Connemara, and this one has the moon
reflected in the water. |
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Out on
County Clare's rock-scape known as the Burren one can find the
Poulnabrone Dolmen. It is a portal tomb sitting upon a
limestone plateau and dates to around 2,000 years BC. It is now exposed after the
earth in and around the tomb was washed away over a period of many
centuries. I love nothing more than getting down low and shooting
such subjects with some kind of foreground interest. |
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1
of 2:
Northern Ireland's
Mourne Mountains in County Down were immortalized in song, and in
this image the dark peak of Slieve Muck dominates at 2,700'. The mountain slopes are a patchwork of dry-stone walls, whitewashed
farmhouses and yellow Gorse. There was no foreground included here
so it's a simple matter to use a fast shutter speed and a 'wide'
aperture of around f.5.6. to f.8.
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| More mood in the
magnificent Mourne mountain range, and ideal light for the white-washed
farmhouse sat under the dark Slieve Donard peak. |
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Serendipity in County
Clare. If I anticipate a shot like this I'll get the van
either ahead or behind the subject so that you have time to
get out and catch the moment. It helps to know your camera
settings well, and be able able to change to an 'action'
mode at a moments notice. |
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1
of 2:
Somewhat
in the middle of nowhere in County Sligo one can find post boxes
such as this built into barn walls. Rural life in the
British Isles has resisted many of the changes that have afflicted
many other cultures in recent decades.
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2 of
2: Another variation on the postal theme with this one being
spotted in a remote village in County Donegal. Get a 'square on' as you can with these type of shots. |
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Unspectacular perhaps, but very
typical of some regions in Ireland. This spot is in County Donegal. |
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A
Celtic design on a cape worn by a young Irish dancer. The 'C' in
Celtic is 'hard' and pronounced 'Keltic'. |
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The
Connemara town of Clifden on the west coast in County Galway. When
there are no cranes on the skyline it's well worth the short uphill
amble when the late light is at it's best.
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1
of 2:
The daylight view of Dunluce
castle, County Antrim. It has a fascinating history, and you
can read about it
here. |
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One of
the many sunset views of Dunluce that have been amassed over the
years. |
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Celtic artifacts
dot the Irish countryside, and this gravestone is to be found, or
maybe not, in a remote spot out on the The Burren in County Clare. |
The
juxtaposition of a Celtic standing stone, and village church in
Glencolumbkille, County Donegal. The name derives from St. Columba whose influence
stretched from Ireland to the Isle of Iona in the
Scottish
Hebrides. |
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The town of Galway has long been a center
of Irish grass-roots culture but in recent years a new Galway icon
has developed. It is the myriad of Mute Swans that linger in
Galway harbour year-round, and provide many photo opportunities for
my groups.
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Late
light drama in the peaks of Connemara, County Galway. |
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To the
west of Killarney, County Kerry, is the old multi-spanned Beaufort
Bridge over the River Laune.
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1
of 2:
The
view that everyone comes to see at the Cliffs of Moher in County
Clare, Ireland. It does help however to stay late and hope that
you're blessed with light and shade for image above the ordinary. |
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The setting sun out
on Galway Bay makes a stark silhouette of O'Brien's Tower that sits atop the Cliffs of Moher
in County Clare. The tower was constructed in 1835 as a
viewing point for Victorian tourists. |
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Another image from the
Cliffs of Moher as a Gannet banks left in search of a roosting spot
for the night. I personally find such shots quite striking and have an awful lot of
appreciation both for the sunset and the Gannet that 'performed' so
well for this shot! |
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Ireland
by Bill Richardson |
Ireland
by Michael Carlucci
Ireland
by Jane Ashley |
Ireland
by Carmen Sewell
Ireland by Kara Stallings . . . PhotoDex plug-in required
Ireland
by Margot Gendre
Ireland brochure | Back to the
Photo Gallery Index
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